Before the arrival in Japan of Apple Music (July 2015) and the like, services such as LINE MUSIC and AWA were the top two music streaming apps. Indeed, download rankings data suggest that their competition is not doing well. We think these two domestic services have a number of competitive advantages which will continue to support their dominant position in the Japanese market. These are:
We expect Japan’s music streaming business will continue to catch up with global peers in terms of growing its market share of the music industry in years to come. However, since this business is less lucrative than the shrinking physical music business, we forecast that the size of the Japanese music industry, excluding live performances, will be ¥275bil by 2020 as against ¥301.5bil now – a negative CAGR of 1.8%. While the recorded music market is expected to contract, the digital music market is forecast to achieve CAGR of 18.5%, to reach ¥110bil in 2020. The key source of growth will come from subscription streaming services, where we estimate a CAGR of 34.7% will generate ¥55bil in revenues by the end of the decade.
In our view, LINE MUSIC and AWA are likely to continue as the market leaders, enjoying 70% of the market (~¥38bil) between them, with the balance to be shared among foreign players.
Founded in 2009, Pelham Smithers Associates (PSA) provides market intelligence on Asian technology, focusing in particular on Japan. The industries covered by our team of specialists are: consumer electronics, telecomms, pharmaceuticals, internet, electronic parts and materials, automotive technology, retail and capital goods.
PSA produces both company and sector reports. The focus of PSA’s research is to identify winners and losers as new technologies impact the top and bottom lines of corporations. Critical to our research is the clear explanation of how these new technologies work and how they impact companies and industries.
The founding partners have worked closely together for twenty years and the team has more than doubled in size since 2012.
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